Joshua Cohen (B.A. Vassar College, Ph.D. Columbia University) is a historian of African art specializing in 20th-century cross-cultural exchange. His areas of interest include modernist appropriations of African sculpture; histories of West African national cultural policies and ballet performance; "primitivism" in art practice and discourse; postcolonial studies; museum studies; and global modernisms. He is the recipient of Fulbright, Lurcy, Kittredge, Dedalus, Mellon, Whiting, and other fellowships. His first book-length project tracks African and European modernist engagements with African sculpture between 1905 and 1980. A second project builds on research conducted in Guinea and elsewhere since 2002, examining international staged productions of West African dance, music, theater, and masquerade. An initial essay on Fodéba Keita and Les Ballets Africains was published in 2012.